Skip to Navigation

Sacred Music Library

The Department of Sacred Music is pleased to offer free of charge to you the Liturgical Music PDF Library. For any comments or suggestions, please contact us.

When you look at music on the web site, and wish to download it to replace something else, please look at the footer of the page to see the revision number (Rev. 1, e.g.) or the date to make sure that it is the latest one out there, or at least later than the one you currently have.

The music listed below is in alphabetical order according to either Title, or Season (for all the Feast Day Series), or is Grouped according to type of hymns (such as Antiphons, or Communion Hymns, etc.). If it is a Group heading, click on the title of the Group, for example, "Annunciation to the Theotokos," and then all the hymns in that group will unfold under the title.  Then click on the title of the hymn you wish to see or download.

To SEARCH for a particular hymn, you may either
     1) scroll down (or click on the letter of the section you'd like) and find it alphabetically; and click on the Title or the Group Heading, or
     2) type a few words of the Title or beginning words of the hymn in the Search Box and click Apply, or
     3) click on one of the Keywords in the table shown below, or in the right column next to each hymn.
       Then, you must click on the title of the hymn itself in order to open up the PDF file to view it or download it.
If you search for a hymn, or click on one of the Keywords, only hymns associated with that Search or Keyword will display. To go back to the full listing, click on the link "Show All Files." If you cannot find a particular hymn, please send us an email and we will get back to you as soon as possible.

Keywords

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z

Displaying All Music with Keyword: Vespers
Show All Files

Title & Description Keywords
A
Annunciation, Apolytikion (Troparion)

This Apolytikion (Troparion) is sung at the Feast of the Annunciation to the Most-Holy Theotokos, March 25th, Tone/Mode 4.  "Today is the beginning of our salvation . . . ."  It is in Western & Byzantine Notation.  Updated 3/17/17.

Apolytikia for the Sunday of the Myrrh-Bearing Women

Apolytikia for the third Sunday of Paschaltide, the Sunday of the Myrrh-Bearing Women.

B
Byzantine Vespers Project

This is the music from the 1974 version of Kazan's Vespers. It has been typeset but NOT corrected in its barring and accenting, with ison added.  Updated 11/22/16.

C
Cheese Fare (Forgiveness) Sunday, Doxastikon (Glory) at "O Lord I have cried"

This is the Glory to be sung at "O Lord I have cried" on Cheese Fare (Forgiveness) Sunday, Tone 6/Plagal Second Mode.  "Verily, Adam sat opposite paradise . . ."

Cheese Fare (Forgiveness) Sunday, Doxastikon (Glory) at the Aposticha

This is the Glory to be sung at the Aposticha on Cheese Fare (Forgiveness) Sunday, Tone 6/Plagal Second Mode.  "Verily, Adam for eating was driven from Paradise . . ."

Come Let Us Worship

Convention music-40A

D
Dismissal (from Vespers)

Preserve, O God - Glory/Both now; Convention music-46A

Dismissal (from Vespers)

Preserve, O God - Glory/Both now; Convention music-46B

E
Sunday before Nativity, Exaposteilaria

Exaposteilaria for the Sunday before Nativity (18th-24th), Tone 2/Second Mode, Prosomoia of "Upon that mount in Galilee".  Updated 12/14/16.

F
Forgiveness Theotokion

This Theotokion is sung at the end of Forgiveness Evening Vespers, Tone/Mode 2.  "O Mother of the high God, O righteous one, . . ."

G
Gladsome Light

Based on Kievan Chant

Gladsome Light

Convention music-42A, with the OLD translation.  Too familiar to change.  Updated 7/24/13.

Gladsome Light

This version has the corrected translation. See note at the bottom of the music.

Gladsome Light

Two-part harmony in C-major

Gladsome Light

Two-part harmony in F-minor

Gladsome Light - Byzantine

Convention music-42B: Standard Archdiocese Version

H
Holy Father Slain at the Monastery of Mar Sabbas, Stichera at "O Lord I have cried"

 These stichera are sung on March 20th, Tone/Mode 4, prosomion "As one valiant."   "In your great and whole-hearted love . . . ."

J
John of Damascus, Aposticha and Stichera at the Praises

Aposticha and Stichera at the Praises for St. John of Damascus, December 4, Tone 8/Plagal Fourth Mode. Prosomoia of "O strange wonder."  "Most wise, and all-lauded Father John . . . ."

L
Lent-1st Sunday, Doxastikon (Glory) at "O Lord I have cried"

This Glory is sung at "O Lord I have cried" on the First Sunday of Lent, Tone/Mode 2.  "The grace of truth hath shone . . . ."

Lent-1st Sunday, Doxastikon (Glory/Both now) at the Aposticha

This "Glory/Both now" is sung at the Aposticha on the First Sunday of Lent, Tone/Mode 2.  "O ye who have passed . . . ."

Lent-2nd Sunday, Doxastikon (Glory) at "O Lord I have cried"

This Glory is sung at "O Lord I have cried" on the Second Sunday of Lent, Tone 6/Plagal Second Mode.  "O thrice-blessed, righteous, and most holy Father . . . ."

Lent-2nd Sunday, Doxastikon (Glory) at the Aposticha

This Glory is sung at the Aposticha on the Second Sunday of Lent, Tone 8/Plagal Fourth Mode.  "Thy tongue, awakened unto doctrines . . . ."

Lent-3rd Sunday, Doxatikon (Glory) at "O Lord, I have cried"

This Glory is sung at "O Lord, I have cried" on the Third Sunday of Lent, Tone/Mode 3.  "O Christ our God, who didst accept crucifixion willingly . . . ."

Lent-3rd Sunday, Doxatikon (Glory) at the Aposticha of Great Vespers

This "Glory/Both now" is sung at the Aposticha of Great Vespers on the Third Sunday of Lent, Tone/Mode 4.  "O Lord, who didst support in war . . . ."

Lent-5th Sunday, Doxastikon (Glory) at "O Lord, I have cried"

This Glory is sung at "O Lord I have cried" on the Fifth Sunday of Lent, Tone/Mode 4.  "The power of thy Cross, O Christ . . . ."

Lent-5th Sunday, Doxastikon (Glory) at the Aposticha of Great Vespers

This Glory is sung at the Aposticha of Great Vespers on the Fifth Sunday of Great Lent, Tone/Mode 2.  "Thou didst sever with the sword of abstinence . . . ."

Lenten Apolytikia

These Apolytikia (Troparia) are sung at the end of Lenten Vespers, Tone 5/Plagal First mode.  "Rejoice, O Virgin . . .  O Baptizer of Christ . . . ."  This includes both Western and Byzantine notation. Updated 3/3/17.

Great Litany

Two versions, Convention music-41A

Litany (Grant this, O Lord)

Convention music-44A

Litany of Fervent Supplication

Convention music-43A

Lord, have mercy

This is a set of 10 Lord have mercies, which may be sung 4 times for when 40 LHMs is needed.

Lord, have mercy (40 times)

This may be sung at the Feast of the Elevation of the Cross, September 14th, Russian melody.

M
Meat Fare (Judgment) Sunday, Doxastikon (Glory) at "O Lord I have cried"

This Glory is sung at "O Lord I have cried" on Meat Fare (Judgment) Sunday, Tone 8/Plagal Fourth Mode, "When the thrones are placed..."

Meat Fare (Judgment) Sunday, Doxastikon (Glory) at the Aposticha

This Glory is sung at the Aposticha on Meat Fare (Judgment) Sunday, Tone 8/Plagal Fourth Mode, "Woe to thee, O darkened soul..."

Menaion - 01 January

This music is from the Byzantine Menaion Project by Basil Kazan for the saints and feasts of this month. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted. Updated 12/19/16.

Menaion - 02 February

This music is from the Byzantine Menaion Project by Basil Kazan for the saints and feasts of this month. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted.

Menaion - 03 March

This music is from the Byzantine Menaion Project by Basil Kazan for the saints and feasts of this month. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted.  Updated 3/4/17.

Menaion - 04 April

This music is from the Byzantine Menaion Project by Basil Kazan for the saints and feasts of this month. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted.

Menaion - 05 May

This music is from the Byzantine Menaion Project by Basil Kazan for the saints and feasts of this month. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted.

Menaion - 06 June

This music is from the Byzantine Menaion Project by Basil Kazan for the saints and feasts of this month. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted.

Menaion - 07 July

Festal hymnody for offices and Divine Liturgy for the month of July. This music is from the Byzantine Menaion Project by Basil Kazan. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted.

Menaion - 08 August

Festal hymnody from the Menaion for August. This music is from the Byzantine Menaion Project by Basil Kazan. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted.

Menaion - 09 September

Festal hymnody from the Menaion for September. This music is from the Byzantine Menaion Project by Basil Kazan. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted.

Menaion - 10 October

Festal hymnody from the Menaion for October. This music is from the Byzantine Menaion Project by Basil Kazan. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted.

Menaion - 11 November

Festal hymnody from the Menaion for November. This music is from the Byzantine Menaion Project by Basil Kazan. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted. Updated 11/21/16.

Menaion - 12 December

Festal hymnody from the Menaion for December. This music is from the Byzantine Menaion Project by Basil Kazan. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted. Update 12/14/16

N
National Convention and Regional Conference Music for Divine Liturgy and Vespers

CAUTION: This is a 2.0 megabyte file, and may take a while to download at slow speeds.  UPDATED IN PDF FORMAT:  3/21/15.

P
Pharisee & Publican, Doxastikon (Glory) at "O Lord I have cried"

This is the hymn sung at the Glory of "Lord I have cried" on the Sunday of the Pharisee & Publican.

Pharisee & Publican, Doxastikon (Glory) at the Aposticha

This is the hymn sung as the Glory at the Aposticha on the Sunday of the Pharisse & Publican.

Prodigal Son, Doxastikon (Glory) at "O Lord I have cried"

This is the hymn sung at the Glory of "Lord I have cried" on the Sunday of the Prodigal Son.

Prodigal Son, Doxastikon (Glory) at the Aposticha

This is the hymn sung as the Glory at the Aposticha on the Sunday of the Prodigal Son.

Prokeimenon, for Friday at Vespers

This Prokeimenon is sung at Friday Vespers, Tone 7/Grave Mode.  "Thou, O God, art my helper . . . ."

First Antiphon of the Typics (Psalm 103)

Convention music-51

Psalm 140/141 - Byzantine Tone 1

From Vespers

R
Rejoice, O Virgin

This hymn is sung at the beginning of the Artoklasia service (blessing of the 5 loaves), usually a part of Vespers, after the Litya, for special feasts and saints' days.

Rejoice, O Virgin Theotokos

Three-part music (SAB) in A-minor

Rejoice, O Virgin Theotokos

Four-part music in G-major

Resurrectional Apolytikion, Tone 1 (Kazan)

Resurrectional Apolytikion from the Kazan Byzantine Project, Tone 1/First Mode.

Resurrectional Apolytikion, Tone 2 (Kazan)

Resurrectional Apolytikion from the Kazan Byzantine Project, Tone 2/Second Mode.

Resurrectional Apolytikion, Tone 3 (Kazan)

Resurrectional Apolytikion from the Kazan Byzantine Project, Tone 3/Third Mode.

Resurrectional Apolytikion, Tone 4 (Kazan)

Resurrectional Apolytikion from the Kazan Byzantine Project, Tone 4/Fourth Mode.

Resurrectional Apolytikion, Tone 5 (Kazan)

Resurrectional Apolytikion from the Kazan Byzantine Project, Tone 5/Plagal First Mode.

Resurrectional Apolytikion, Tone 6 (Kazan)

Resurrectional Apolytikion from the Kazan Byzantine Project, Tone 6/Plagal Second Mode.

Resurrectional Apolytikion, Tone 7 (Kazan)

Resurrectional Apolytikion from the Kazan Byzantine Project, Tone 7/Grave Mode.

Resurrectional Apolytikion, Tone 8 (Kazan)

Resurrectional Apolytikion from the Kazan Byzantine Project, Tone 8/Plagal Fourth Mode.

Resurrectional Theotokion at the Apolytikia, Tone 1 (Kazan)

Resurrectional Theotokion at the Apolytikia from the Kazan Byzantine Project, Tone 1/First Mode.

Resurrectional Theotokion at the Apolytikia, Tone 2 (Kazan)

Resurrectional Theotokion at the Apolytikia from the Kazan Byzantine Project, Tone 2/Second Mode.

Resurrectional Theotokion at the Apolytikia, Tone 3 (Kazan)

Resurrectional Theotokion at the Apolytikia from the Kazan Byzantine Project, Tone 4/Fourth Mode.

Resurrectional Theotokion at the Apolytikia, Tone 4 (Kazan)

Resurrectional Theotokion at the Apolytikia from the Kazan Byzantine Project, Tone 4/Fourth Mode.

Resurrectional Theotokion at the Apolytikia, Tone 5 (Kazan)

Resurrectional Theotokion at the Apolytikia from the Kazan Byzantine Project, Tone 5/Plagal First Mode.

Resurrectional Theotokion at the Apolytikia, Tone 6 (Kazan)

Resurrectional Theotokion at the Apolytikia from the Kazan Byzantine Project, Tone 6/Plagal Second Mode.

Resurrectional Theotokion at the Apolytikia, Tone 7 (Kazan)

Resurrectional Theotokion at the Apolytikia from the Kazan Byzantine Project, Tone 7/Grave Mode.

Resurrectional Theotokion at the Apolytikia, Tone 8 (Kazan)

Resurrectional Theotokion at the Apolytikia from the Kazan Byzantine Project, Tone 8/Plagal Fourth Mode.

Rich men have turned poor

This hymn is sung at toward the end of the Artoklasia service (blessing of the 5 loaves), usually a part of Vespers, after the Litya, for special feasts and saints' days.

S
Saturday of Souls, Apolytikion & Theotokion

This is the Apolytikion (Troparion) and Theotokion for the services on Saturday of the Souls, Tone 8/Plagal Fourth Mode. "O only Creator . . . (O thou who by the depth . . .),"  and "We have verily accepted thee . . . (Thee do we have as a wall . . .).

Saturday of Souls, Doxatikon (Glory) at "O Lord I have cried"

This Glory at "O Lord I have cried" is sung on Saturday of Souls, Meat Fare Saturday, Tone 8/Plagal Fourth Mode, "I weep and I wail."

Saturday of Souls, Theotokion at the Aposticha

The Theotokion (Both now) at the Aposticha on Saturday of Souls, Meat Fare Saturday, "By thy Birth-giver's prayers." Special melody (prosomion) "As it is written."

St. Simeon's Prayer

Toensing

St. Simeon's Prayer [Listen]

Archangelsky, Convention music-45A

St. Simeon's Prayer

Common Byzantine version in Tone 6.

Sunday before Nativity of Christ-Vespers

This is the Vesper service for the Sunday before the Nativity of Christ, December 18-24, the Sunday of the Genealogy. (Updated 12/13/12 with proper Special melody label, not music.)

Sunday of the Forefathers-before Nativity of Christ-Vespers

This is the Vesper service for the 2nd Sunday before Christmas, December 11-17, the Sunday of the Forefathers. (Updated 12/13/12 with proper Special melody label, not music.)

T
Circumcision of Christ, Apolytikion

Apolytikion for the Circumcision of Christ, January 1, Tone 1/First Mode, Prosomion of "While Gabriel was saying".  "Our human form hast thou taken on thyself without change . . . ."

Presentation of the Lord in the Temple, Apolytikion

Apolytikion for the Presentation of the Lord in the Temple, Tone 1/First Mode.

Transfiguration, Troparion (chant)

Apolytikion for the Feast of the Transfiguration of Christ (6 August).  "When thou, O Christ our God, wast transfigured on the mountain . . . ."

Transfiguration, Troparion (choral)

Apolytikion for the Feast of the Transfiguration of Christ (6 August).  "When thou, O Christ our God, wast transfigured on the mountain . . . ."

Cyprian, Apolytikion

Apolytikion for St. Cyprian, October 2.

Gregory Palamas, Apolytikion

This Apolytikion/Troparion of St. Gregory Palamas, Archbishop of Thessalonica, is sung on the Second Sunday of Lent, as well as his feast day on November 14th, Tone 8/Plagal Fourth Mode.  "O star of Orthodoxy . . . ."

James The Brother of Our Lord, Apolytikion

Apolytikion for St. James the Brother of Our Lord, October 23

John the Hut Dweller, Apolytikion

Apolytikion for Saint John the Hut Dweller, January 15, Tone 4/Fourth Mode, Prosomoion, "Be quick to anticipate".

Joseph of Damascus, Apolytikion

Apolytikion for St. Joseph of Damascus, 10 July.

Paul of Thebes the Venerable, Apolytikion

Apolytikion for Saint Paul of Thebes, January 15, Tone 8/Plagal Fourth Mode: "The barren wilderness..."

Paul the Confessor, Apolytikion

Apolytikion for St. Paul the Confessor, November 6, prosomoion to "Thy confession", Tone 3/Third Mode.

Troparion of the 2nd Sunday of Great Lent

Sunday of Gregory Palamas, 2nd Sunday of Lent, Tone 8/Plagal Fourth Mode.  "O star of Orthodoxy . . . ."  (Updated 2/23/17 - further update pending...")

Troparion of the 3rd Sunday of Great Lent

This Apolytikion is sung on the 3rd Sunday of Lent, as well as on the Feast of the Exaltation of the Cross, September 14th, and the Feast of the Procession of the Cross, August 1st; Tone/Mode 1.  "O Lord, save thy people . . . ."  The translation is slightly different that previous versions.  Updated 2/23/17.

V
42 martyrs of Amoria in Phrygia, Stichera at "O Lord I have cried"

These Stichera are sung at "O Lord I have cried" on March 6th, Tone/Mode 4, with the prosomion "Thou who wast called from on high."  "O right-victorious Martyrs . . . ."

Apostle James Brother of Our Lord, Vesperal Stichera at "O Lord I have cried"

Stichera at "O Lord I have cried" for the Apostle James, Brother of Our Lord, October 23. Prosomoia to "Unto Them that Fear Thee".

Apostle James, Stichera at "O Lord I have cried"

Stichera at "O Lord I have cried" for the Apostle James, October 9. Prosomoia, "As one valiant".

Archangel Gabriel

These stichera are sung for the Synaxis of the Archangel Gabriel, March 26th, Tone/Mode 1, Prosomion "O all-lauded martyrs."  "That mind which is truly like to God . . . ."

Entrance of the Virgin into the Temple, Stichera at "O Lord I have cried"

Stichera at "O Lord I have cried", the Entrance of the Virgin into to the Temple, November 21, prosomoia to "O strange wonder", Tone 1/First Mode.

Forefeast for the Entrance of the Virgin into the Temple, Stichera at "O Lord I have cried"

Stichera at "O Lord I have cried", Forefeast of the Entrance of the Virgin into to the Temple, November 20, prosomoia to "Thou art the joy", Tone 1/First Mode.

Forgiveness evening, Stichera and Glory at the Aposticha

These are the stichera and the Glory/Both now at the Aposticha on Forgiveness Sunday Evening, Tone/Mode 4.  "Thy grace hath risen . . ." and "The ranks of angels praise thee . . ."

Forgiveness evening, Stichera at "O Lord I have cried"

These stichera at "O Lord I have cried" are sung on Forgiveness Sunday night, after the 4 Penitential stichera, Tone/Mode 2.  "Let us all hasten . . ."

Holy Forefathers, Stichera at "O Lord I have cried"

Stichera at "O Lord I have cried" for the Sunday of the Forefathers, the Sunday within 11-17 December, Tone 8/Plagal Fourth Mode, Prosomoia of "The Paradise of Eden".

Holy Martyrs Zenobius and Zenobia, Stichera at "O Lord I Have Cried"

Stichera at Vespers, "O Lord I have cried", for Ss. Zenobius and Zenobia. Prosomoia to "As one valiant", 4th mode.

James the Persian, Stichera at the Praises

Stichera at the "O Lord I have cried", St. James the Persian, November 27, prosomoia to "When he took thee", Tone 2/Second Mode.

Mary of Egypt, Stichera at "O Lord, I have cried"

These stichera are sung at Great Vespers for Mary of Egypt, on her Feast day of April 1st and also the 5th Sunday of Lent, Tone 6/Plagal second mode, Prosomion "Having laid up all their hope."  "Though thy body, which had been defiled with reckless abandon . . . ."

Matrona of Thessalonica, Martyr

These stichera are sung at "O Lord, I have cried" for the Martyr Matrona of Thessalonica, March 27th, Tone/Mode 4, Prosomion "As one valiant."  "To the Jews' brazen cruelty . . . ."

Nikephoros, Translation of relics - Stichera at "O Lord I have cried"

These stichera are sung on the evening of March 12th (for the 13th), with the prosomion "A strange wonder," Tone 8/Plagal Fourth Mode.  "Putting the passions in servitude . . . ."

Nikitas of Medikion, Stichera at "O Lord, I have cried"

These stichera are sung at Great Vespers for Abbot Nikitas the Confessor of Medikion, April 3rd, Tone/Mode 2, Prosomion "When he took thee."  "Guided by the Word, thou wast shown forth . . . ."

Pharisee & Publican, Stichera at "O Lord I have cried"

These are sung on the Sunday of the Pharisee & Publican during the Season of the Triodion.

Presentation (Meeting) of Our Lord in the Temple, Stichera at "O Lord I have cried"

These stichera are sung at Vespers for "O Lord I have cried" & Glory/Both now on the Feast of the Presentation (Meeting) of our Lord in the Temple, Feast Day is February 2nd.

Presentation (Meeting) of Our Lord in the Temple, Stichera at the Aposticha

These stichera are sung at Vespers for the Aposticha & Glory/Both now on the Feast of the Presentation (Meeting) of our Lord in the Temple, Feast Day is February 2nd.

Prodigal Son, Stichera at "O Lord I have cried"

These are sung on the Sunday of the Prodigal Son during the Season of the Triodion.

Prokopios the Confessor, Stichera at "O Lord I have cried"

These stichera are for the Venerable Prokopios the Confessor of Decapolis, Tone/Mode 4, prosomion "As one valiant."  "Being made, O Prokopios, in the image of God Himself . . . ."

Saint Anastasios the Persian, Stichera at "O Lord I have cried"

Stichera at "O Lord I have cried" for Saint Anastasios the Persian (January 22), Tone 1/First Mode, Prosomoia of "O all-lauded martyrs".

Saint Barbara, Stichera at "O Lord I have cried"

Stichera at "O Lord I have cried" for St. Barbara, 4 December, Tone 2/Second Mode. Prosomoia of "When he took thee".

Saint Basil the Great, Stichera at "O Lord I have cried"

Stichera at "O Lord I have cried" for St. Basil the Great, January 1, Tone 4/Fourth Mode, Prosomoia of "Thou who wast called on high".

Saint John of Damascus, Stichera at "O Lord I have cried"

Stichera at "O Lord I have cried" for St. Barbara, 4 December, Tone 8/Plagal Fourth Mode. Prosomoia of "What shall we call you".

Saint John the Hut Dweller, Stichera at "O Lord I have cried"

Stichera at "O Lord I have cried" for Saint John the Hut Dweller, January 15, Tone 2/Second Mode, Prosomoia, "When he took thee".

Saint Paul of Thebes the Venerable, Stichera at "O Lord I have cried"

Stichera at "O Lord I have cried" for the Venerable Paul of Thebes, January 15, Tone 2/Second Mode, Prosomoia, "When he took thee".

Saint Timothy the Apostle, Stichera at "O Lord I have cried"

Stichera at "O Lord I have cried" for Saint Timothy the Apostle (January 22), Tone 1/First Mode, Prosomoia of "O all-lauded martyrs".

Saturday of Souls, Stichera at "O Lord I have cried"

These stichera are sung at Vespers on the Saturday of Souls, Meat Fare Saturday, Tone 8/Plagal Fourth Mode.  Special melody (prosomion) "Paradise of Eden."

Ss. Cyprian and Justina the Virgin, Stichera at "O Lord I have cried"

Stichera at "O Lord I have cried" for Ss. Cyprian and Justina, October 2. Prosomoia, "As one valiant".

St. John Chrysostom, Stichera at "O Lord I have cried"

Stichera at "O Lord I have cried" for St. John Chrysostom, November 13, prosomoia to "As one valiant", Tone 4/Fourth Mode.

St. Paul the Confessor, Stichera at "O Lord I have cried"

Stichera at "O Lord I have cried" for Vespers of November 6, St. Paul the Confessor. Prosomoia to "Unto them that fear thee", Tone 4/Fourth Mode.

Sunday after the Presentation of Christ in the Temple, Stichera at "O Lord I have cried"

Sunday after the Presentation of Christ in the Temple, Stichera at "O Lord I have cried", Tone 4/Fourth Mode, Prosomoia of "Unto them that fear thee".

Sunday after Theophany, Stichera at "O Lord I have cried"

Stichera at "O Lord I have cried" for the Sunday after Theophany, Tone 2/Second Mode.

The Fathers of the Seventh Ecumenical Council, Vesperal Stichera at "O Lord I have cried"

Stichera at "O Lord I have cried" for the commemoration of the Fathers of the Seventh Ecumenical Council, served on the Sunday that falls between 11-17 October. Prosomoia to "'Ere the morning star".

The Recovery of the Sacred Relics of the Holy Hieromartyr Ignatius the God-bearer, Stichera at "O Lord I have cried"

Stichera at "O Lord I have cried" for The Recovery of the Sacred Relics of the Holy Hieromartyr Ignatius the God-bearer (January 29), Tone 4/Fourth Mode, Prosomoia of "As one valiant".

Vesperal Stichera for August 16

These stichera are sung on August 16 for the Icon Not Made With Hands (Holy Napkin), and the After-Feast of the Dormtion of the Theotokos

Vesperal Stichera for Ss. Cosmas and Damian

These stichera are sung at "Lord, I have cried" in Vespers on November 1st.

Vesperal Stichera for Ss. Cyrus & John (Jan 31)

These stichera are sung for the Holy Unmercenaries Cyrus & John, celebrated on January 31st.

Vesperal Stichera for St. Nicholas

These are the stichera at Vespers for St. Nicholas, December 6th.

Vesperal Stichera for St. Xenia of Rome & St. Xenia of St. Petersburg

These are the two sets of 3 stichera each for St. Xenia of Rome and St. Xenia of St. Petersburg, sung on January 24th.

Vesperal Stichera for Sunday before Theophany

These stichera are for the Sunday Before Theophany, Jan. 2-4

Vespers - Saturday Prokeimenon

Prokeimenon for Saturday Great Vespers, Tone 6/Plagal II Mode.

Vespers 2-part

Music for Vespers, 2-part harmony in C-major

Vespers 2-part

Music for Vespers, 2-part harmony in F-minor

Vespers, Kazan - Come Let Us Worship

Invitatory from the Kazan Vespers book.

Vespers, Kazan - Dismissal

Dismissal after apolytikia from Kazan Vespers book. Arranged and adapted by Raymond J. George (1917-2002).

Vespers, Kazan - Fast Final Glory in Assorted Tones

Fast Final Glory in various Byzantine tones, from Kazan Vespers book.

Vespers, Kazan - Final Glory #1

Final Glory at end of Vespers, choral, by Raymond J. George (1917-2002). 

Vespers, Kazan - Great Litany

Great Litany #1 and #2 from the Kazan Vespers book.

Vespers, Kazan - Litany Before the Aposticha

Litany before the Aposticha from the Kazan Vespers book.

Vespers, Kazan - Litany of Fervent Supplication #1

Litany of Fervent Supplication, first version from the Kazan Vespers book.  Updated 11/22/16.

Vespers, Kazan - Litany of Fervent Supplication #2

Litany of Fervent Supplication, second version from the Kazan Vespers book.  Updated 11/22/16.

Vespers, Kazan - O Gladsome Light (Chant)

Lamp-lighting hymn after "O Lord I have cried", chant setting.

Vespers, Kazan - O Gladsome Light (Choral)

Lamp-lighting hymn for after "O Lord I have cried". Choral setting.

Vespers, Kazan - O Lord I have cried with verses and Resurrectional stichera, Tone 1

"O Lord I have cried" (Kekragaria) with verses (stichologia) and Resurrectional stichera, Tone 1/First Mode.

Vespers, Kazan - O Lord I have cried with verses and Resurrectional stichera, Tone 2

"O Lord I have cried" (kekragaria), verses (stichologia), and Resurrectional stichera, Tone 2/Second Mode.

Vespers, Kazan - O Lord I have cried with verses and Resurrectional stichera, Tone 3

"O Lord I have cried" (kekragaria) with verses (stichologia) and Resurrectional stichera, Tone 3/Third Mode.

Vespers, Kazan - O Lord I have cried with verses and Resurrectional stichera, Tone 4

"O Lord I have cried" (kekragaria) with verses (stichologia) and Resurrectional stichera, Tone 4/Fourth Mode.

Vespers, Kazan - O Lord I have cried with verses and Resurrectional stichera, Tone 5

"O Lord I have cried" (kekragaria) with verses (stichologia) and Resurrectional stichera, Tone 5/Plagal First Mode.

Vespers, Kazan - O Lord I have cried with verses and Resurrectional stichera, Tone 6

"O Lord I have cried" (kekragaria) with verses (stichologia) and Resurrectional stichera, Tone 6/Plagal Second Mode.

Vespers, Kazan - O Lord I have cried with verses and Resurrectional stichera, Tone 7

"O Lord I have cried" (kekragaria) with verses (stichologia) and Resurrectional stichera, Tone 7/Grave Mode.

Vespers, Kazan - O Lord I have cried with verses and Resurrectional stichera, Tone 8

"O Lord I have cried" (kekragaria) with verses (stichologia) and Resurrectional stichera, Tone 8/Plagal Fourth Mode.

Vespers, Kazan - Resurrectional Aposticha and Theotokion, Tone 1

Resurrectional Aposticha and Theotokion from the Kazan Vespers book, Tone 1/First Mode.

Vespers, Kazan - Resurrectional Aposticha and Theotokion, Tone 2

Resurrectional Aposticha and Theotokion from the Kazan Vespers book, Tone 2/Second Mode.

Vespers, Kazan - Resurrectional Aposticha and Theotokion, Tone 3

Resurrectional Aposticha and Theotokion from the Kazan Vespers book, Tone 3/Third Mode.

Vespers, Kazan - Resurrectional Aposticha and Theotokion, Tone 4

Resurrectional Aposticha and Theotokion from the Kazan Vespers book, Tone 4/Fourth Mode.

Vespers, Kazan - Resurrectional Aposticha and Theotokion, Tone 5

Resurrectional Aposticha and Theotokion from the Kazan Vespers book, Tone 5/Plagal First Mode.

Vespers, Kazan - Resurrectional Aposticha and Theotokion, Tone 6

Resurrectional Aposticha and Theotokion from the Kazan Vespers book, Tone 6/Plagal Second Mode.

Vespers, Kazan - Resurrectional Aposticha and Theotokion, Tone 7

Resurrectional Aposticha and Theotokion from the Kazan Vespers book, Tone 7/Grave Mode.

Vespers, Kazan - Resurrectional Aposticha and Theotokion, Tone 8

Resurrectional Aposticha and Theotokion from the Kazan Vespers book, Tone 8/Plagal Fourth Mode.

Vespers, Kazan - Resurrectional Aposticha, Tone 1

Aposticha for the Resurrection, Tone 1/First Mode.

Vespers, Kazan - Resurrectional Aposticha, Tone 2

Aposticha for the Resurrection, Tone 2/Second Mode.

Vespers, Kazan - Resurrectional Aposticha, Tone 3

Aposticha for the Resurrection, Tone 3/Third Mode.

Vespers, Kazan - Resurrectional Aposticha, Tone 4

Aposticha for the Resurrection, Tone 4/Fourth Mode.

Vespers, Kazan - Resurrectional Aposticha, Tone 5

Aposticha for the Resurrection, Tone 5/Mode Plagal I.

Vespers, Kazan - Resurrectional Aposticha, Tone 6

Resurrectional Aposticha, Tone 6/Plagal Second Mode.

Vespers, Kazan - Resurrectional Aposticha, Tone 7

Resurrectional Aposticha, Tone 7/Grave Mode.

Vespers, Kazan - Resurrectional Aposticha, Tone 8

Resurrectional Aposticha, Tone 8/Plagal Fourth Mode.

Vespers, Kazan - Resurrectional Theotokion at O Lord I have cried, Tone 1

Theotokion for the Resurrection at "O Lord I have cried", Tone 1/First Mode.

Vespers, Kazan - Resurrectional Theotokion at O Lord I have cried, Tone 2

Theotokion of the Resurrection at "O Lord I have cried", Tone 2/Second Mode.

Vespers, Kazan - Resurrectional Theotokion at O Lord I have cried, Tone 3

Theotokion of the Resurrection at "O Lord I have cried", Tone 3/Third Mode.

Vespers, Kazan - Resurrectional Theotokion at O Lord I have cried, Tone 4

Theotokion for the Resurrection at "O Lord I have cried", Tone 4/Fourth Mode.

Vespers, Kazan - Resurrectional Theotokion at O Lord I have cried, Tone 5

Theotokion for the Resurrection at "O Lord I have cried", Tone 5/Plagal First Mode.

Vespers, Kazan - Resurrectional Theotokion at O Lord I have cried, Tone 6

Theotokion for the Resurrection at "O Lord I have cried", Tone 6/Plagal Second Mode.

Vespers, Kazan - Resurrectional Theotokion at O Lord I have cried, Tone 7

Theotokion for the Resurrection at "O Lord I have cried", Tone 7/Grave Mode.

Vespers, Kazan - Resurrectional Theotokion at O Lord I have cried, Tone 8

Theotokion for the Resurrection at "O Lord I have cried", Tone 8/Plagal Fourth Mode.

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 1

Theotokion for the Resurrection at the Aposticha, Tone 1/First Mode.

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 2

Theotokion for the Resurrection at the Aposticha, Tone 2/Second Mode.

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 3

Theotokion for the Resurrection at the Aposticha, Tone 3/Third Mode.

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 4

Theotokion for the Resurrection at the Aposticha, Tone 4/Fourth Mode.

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 5

Theotokion for the Resurrection at the Aposticha, Tone 5/Mode Plagal I.

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 6

Theotokion for the Resurrection at the Aposticha, Tone 6/Plagal Second Mode.

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 7

Theotokion for the Resurrection at the Aposticha, Tone 7/Grave Mode.

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 8

Theotokion for the Resurrection at the Aposticha, Tone 8/Plagal Fourth Mode.

Vespers, Kazan - Saturday Prokeimenon

Vesperal prokeimenon for Saturday evening.

Vespers, Kazan - Slow Final Glory in Various Tones

Slow (Sticheraric) Final Glory in the various tones, from the Kazan Vespers book, adapted. Updated 1/14/17.

Vespers, Kazan - St. Simeon's Prayer (Chant)

St. Simeon's Prayer; chant setting by Kazan in Tone 6/Plagal Second Mode.

Vespers, Kazan - St. Simeon's Prayer (Choral)

St. Simeon's Prayer, choral version by Archangelsky and adapted into English by Gelsinger.

Vespers, Kazan - Weekday Prokeimena

Prokeimena for weekday Vespers.

Vouchsafe, O Lord [Listen]

This hymn is usually said by the bishop during Vespers, but may be sung, if desired.

W
Who is so great a God (choral)

This Great Prokeimenon, Russian melody, is sung on the Sunday of Orthodoxy (First Sunday of Lent), at Agape Vespers on Pascha, and at the Kneeling Service on Pentecost.