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Sacred Music Library

The Department of Sacred Music is pleased to offer free of charge to you the Liturgical Music PDF Library. For any comments or suggestions, please contact us.

When you look at music on the web site, and wish to download it to replace something else, please look at the footer of the page to see the revision number (Rev. 1, e.g.) or the date to make sure that it is the latest one out there, or at least later than the one you currently have.

The music listed below is in alphabetical order according to either Title, or Season (for all the Feast Day Series), or is grouped according to type of hymns (such as Antiphons, or Communion Hymns, etc.). To SEARCH for a particular hymn, you may either
     1) scroll down (or click on the letter of the section you'd like) and find it alphabetically; and click on the Title or the Group Heading, or
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     3) click on one of the Keywords in the table shown below.
If you search for a hymn, or click on one of the Keywords in the table, only hymns associated with that Search or Keyword will display. To go back to the full listing, click on the link "Show All Files." If you cannot find a particular hymn, please send us an email and we will get back to you as soon as possible.

Keywords

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z

Displaying All Music with Keyword: Basil Kazan
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Title & Description Keywords
A
Apolytikia for the Sunday of the Myrrh-Bearing Women

Apolytikia for the third Sunday of Paschaltide, the Sunday of the Myrrh-Bearing Women.

B
Byzantine Matins Project

This is the music from the 1976 version of Kazan's Matins. It has been typeset and corrected in its barring and accenting, with ison added. Please use with it the newer versions of the God is the Lord, also found in this PDF Library.  Updated 11/22/16.

Byzantine Vespers Project

This is the music from the 1974 version of Kazan's Vespers. It has been typeset but NOT corrected in its barring and accenting, with ison added.  Updated 11/22/16.

E
Matins, Kazan - Exaposteilarion for the Eighth Eothinon, Tone 2

Exaposteilarion for the Eighth Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Exaposteilarion for the Eleventh Eothinon, Tone 2

Exaposteilarion for the Eleventh Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Exaposteilarion for the Fifth Eothinon, Tone 2

Exaposteilarion for the Fifth Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Exaposteilarion for the First Eothinon, Tone 2

Exaposteilarion for the First Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Exaposteilarion for the Fourth Eothinon, Tone 2

Exaposteilarion for the Fourth Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Exaposteilarion for the Ninth Eothinon, Tone 2

Exaposteilarion for the Ninth Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Exaposteilarion for the Second Eothinon, Tone 2

Exaposteilarion for the Second Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Exaposteilarion for the Seventh Eothinon, Tone 2

Exaposteilarion for the Seventh Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Exaposteilarion for the Sixth Eothinon, Tone 2

Exaposteilarion for the Sixth Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Exaposteilarion for the Tenth Eothinon, Tone 2

Exaposteilarion for the Tenth Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Exaposteilarion for the Third Eothinon, Tone 2

Exaposteilarion for the Third Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

G
Great Doxology - Tone 1

Sung at the end of Orthros (Matins)

Great Doxology - Tone 2

Sung at the end of Orthros (Matins). Updated 6/10/15.

Great Doxology - Tone 3

Sung at the end of Orthros (Matins)

Great Doxology - Tone 4

Sung at the end of Orthros (Matins)

Great Doxology - Tone 5

Sung at the end of Orthros (Matins)

Great Doxology - Tone 6

Sung at the end of Orthros (Matins)

Great Doxology - Tone 7

Sung at the end of Orthros (Matins)

Great Doxology - Tone 8

Sung at the end of Orthros (Matins)

H
Hymn of Kassiani the Nun

Sung as the Doxastikon of the Aposticha for Holy Wednesday Bridegroom Matins. UPDATED and corrected 7/31/13!

K
Katabasiae for the Cross

These Katabasiae are sung in Orthros (Matins) from August 1-13 and August 24-September 21.  They can also be sung at the Sacrament of Baptism, while the baby or child is being clothed.  They are sung in a special Tone 8, similar to the Canon of the Paraklesis.  UPDATED AND CORRECTED, 8/29/13

Katabasiae of the Nativity of Christ

This double Canon of the Nativity of Christ has both sets of Katabasiae from the 1st and 2nd Canon, which are sung on the Feast of Christmas itself. Updated 11/21/16.

Katabasiae of the Nativity of Christ - 1st Canon, Ode 9

This is the Katabasia of the 9th Ode of the 1st Canon of the Nativity of Christ, sung from November 21 to December 24.

Katabasiae of the Nativity of Christ - 1st Canon, Odes 1-8

These Katabasiae, Odes 1-8, are to be sung in preparation of the Nativity of Christ from November 21 to December 24.

Katabasiae of the Nativity of Christ - 2nd Canon, Ode 9

This Katabasia is from the 9th Ode of the 2nd Canon of the Nativity of Christ, sung from December 26-31.

Katabasiae of the Nativity of Christ - 2nd Canon, Odes 1-8

These Katabasiae are from the 2nd Canon of the Nativity of Christ and are sung from December 26-31.

Kontakion of Meat-Fare Saturday (chant)

"With the saints give rest," sung on the Saturday before Meat-Fare Sunday. Also sung in the Funeral Service (See Funeral Service).

L
Matins, Kazan - First Little Litany

First Little Litany in Matins, from the Kazan Matins book.  Updated 11/22/16.

Matins, Kazan - Great Litany

Great Litany in Matins, from the Kazan Matins book.  Updated 11/22/16.

Matins, Kazan - Second Little Litany

Second Little Litany in Matins, from the Kazan Matins book.

Matins, Kazan - Third Little Litany #1

Third Little Litany at Matins, from the Kazan Matins book.

Matins, Kazan - Third Little Litany #2

Third Little Litany at Matins, Tone 5/Plagal First Mode, from the Kazan Matins book.

Little Paraklesis

The musical score for the service of Little Paraklesis, including Holy Transfiguration Monastery's metered translation of the Canon written out with Western notation.

M
Matins, Kazan - "Let everything that hath breath" and Litany before the Orthros Gospel

"Let everything that hath breath..." and Litany before the Orthros Gospel, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - "Lord have mercy" after the Intercession

12x "Lord have mercy" after the Intercession, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Doxastikon and Theotokion at the Praises for the Eighth Eothinon, Tone 8

Doxastikon and Theotokion for the Eighth Eothinon at the Praises, Tone 8/Plagal Fourth Mode, from the Kazan Matins book.

Matins, Kazan - Doxastikon and Theotokion at the Praises for the Eleventh Eothinon, Tone 8

Doxastikon and Theotokion for the Eleventh Eothinon at the Praises, Tone 8/Plagal Fourth Mode, from the Kazan Matins book.

Matins, Kazan - Doxastikon and Theotokion at the Praises for the Fifth Eothinon, Tone 5

Doxastikon and Theotokion for the Fifth Eothinon at the Praises, Tone 5/Plagal First Mode, from the Kazan Matins book.

Matins, Kazan - Doxastikon and Theotokion at the Praises for the First Eothinon, Tone 1

Doxastikon and Theotokion for the First Eothinon at the Praises, Tone 1/First Mode, from the Kazan Matins book.

Matins, Kazan - Doxastikon and Theotokion at the Praises for the Fourth Eothinon, Tone 4

Doxastikon and Theotokion for the Fourth Eothinon at the Praises, Tone 4/Fourth Mode, from the Kazan Matins book.

Matins, Kazan - Doxastikon and Theotokion at the Praises for the Ninth Eothinon, Tone 5

Doxastikon and Theotokion for the Ninth Eothinon at the Praises, Tone 5/Plagal First Mode, from the Kazan Matins book.

Matins, Kazan - Doxastikon and Theotokion at the Praises for the Second Eothinon, Tone 2

Doxastikon and Theotokion for the Second Eothinon at the Praises, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Doxastikon and Theotokion at the Praises for the Seventh Eothinon, Tone 7

Doxastikon and Theotokion for the Seventh Eothinon at the Praises, Tone 7/Grave Mode, from the Kazan Matins book.

Matins, Kazan - Doxastikon and Theotokion at the Praises for the Sixth Eothinon, Tone 6

Doxastikon and Theotokion for the Sixth Eothinon at the Praises, Tone 6/Plagal Second Mode, from the Kazan Matins book.

Matins, Kazan - Doxastikon and Theotokion at the Praises for the Tenth Eothinon, Tone 6

Doxastikon and Theotokion for the Tenth Eothinon at the Praises, Tone 6/Plagal Second Mode, from the Kazan Matins book.

Matins, Kazan - Doxastikon and Theotokion at the Praises for the Third Eothinon, Tone 3

Doxastikon and Theotokion for the Third Eothinon at the Praises, Tone 3/Third Mode, from the Kazan Matins book.

Matins, Kazan - Festal Anabathmoi "From my youth up"

Festal Anabathmoi "From my youth up...", Tone 4/Fourth Mode, from the Kazan Matins book.

Matins, Kazan - Katabasiae for the Theotokos 1-8, Tone 4

Katabasiae 1-8 for the Theotokos, "I shall open my mouth...", Tone 4/Fourth Mode, from the Kazan Matins book

Matins, Kazan - Little Litany and "Holy is the Lord our God", Eastertide

Litany and "Holy is the Lord our God" for Eastertide, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Little Litany and "Holy is the Lord our God", usual Sundays

Litany and "Holy is the Lord our God" for usual Sundays, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Magnifications at the Katabasiae, Tone 4

Magnifications at the Katabasiae, "More honorable than the Cherubim...", Tone 4/Fourth Mode, from the Kazan Matins book.

Matins, Kazan - Ninth Ode Katabasia for the Theotokos, Tone 4

Ninth Ode Katabasia for the Theotokos, "Let all earthborn mortals...", Tone 4/Fourth Mode, from the Kazan Matins book.

Matins, Kazan - Praises and Resurrectional Stichera, Tone 1

Praises and Resurrectional Stichera, Tone 1/First Mode, from the Kazan Matins book.

Matins, Kazan - Praises and Resurrectional Stichera, Tone 2

Praises and Resurrectional Stichera, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Praises and Resurrectional Stichera, Tone 3

Praises and Resurrectional Stichera, Tone 3/Third Mode, from the Kazan Matins book.

Matins, Kazan - Praises and Resurrectional Stichera, Tone 4

Praises and Resurrectional Stichera, Tone 4/Fourth Mode, from the Kazan Matins book.

Matins, Kazan - Praises and Resurrectional Stichera, Tone 5

Praises and Resurrectional Stichera, Tone 5/Plagal First Mode, from the Kazan Matins book.

Matins, Kazan - Praises and Resurrectional Stichera, Tone 6

Praises and Resurrectional Stichera, Tone 6/Plagal Second Mode, from the Kazan Matins book.

Matins, Kazan - Praises and Resurrectional Stichera, Tone 7

Praises and Resurrectional Stichera, Tone 7/Grave Mode, from the Kazan Matins book.

Matins, Kazan - Praises and Resurrectional Stichera, Tone 8

Praises and Resurrectional Stichera, Tone 8/Plagal Fourth Mode, from the Kazan Matins book.

Matins, Kazan - Prokeimenon of the Resurrectional Orthros Gospel, Tone 1

Prokeimenon for the Resurrectional Orthros Gospel, Tone 1/First Mode, from the Kazan Matins book.

Matins, Kazan - Prokeimenon of the Resurrectional Orthros Gospel, Tone 2

Prokeimenon for the Resurrectional Orthros Gospel, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Prokeimenon of the Resurrectional Orthros Gospel, Tone 3

Prokeimenon for the Resurrectional Orthros Gospel, Tone 3/Third Mode, from the Kazan Matins book.

Matins, Kazan - Prokeimenon of the Resurrectional Orthros Gospel, Tone 4

Prokeimenon for the Resurrectional Orthros Gospel, Tone 4/Fourth Mode, from the Kazan Matins book.

Matins, Kazan - Prokeimenon of the Resurrectional Orthros Gospel, Tone 5

Prokeimenon for the Resurrectional Orthros Gospel, Tone 5/Plagal First Mode, from the Kazan Matins book.

Matins, Kazan - Prokeimenon of the Resurrectional Orthros Gospel, Tone 6

Prokeimenon for the Resurrectional Orthros Gospel, Tone 6/Plagal Second Mode, from the Kazan Matins book.  Updated 11/22/16.

Matins, Kazan - Prokeimenon of the Resurrectional Orthros Gospel, Tone 7

Prokeimenon for the Resurrectional Orthros Gospel, Tone 7/Grave Mode, from the Kazan Matins book.

Matins, Kazan - Prokeimenon of the Resurrectional Orthros Gospel, Tone 8

Prokeimenon for the Resurrectional Orthros Gospel, Tone 8/Plagal Fourth Mode, from the Kazan Matins book.

Matins, Kazan - Resurrectional Evlogetaria

Resurrectional Evlogetaria for Sunday Orthros, Tone 5/Plagal First Mode, from the Kazan Matins book.

Matins, Kazan - Theotokion for the Eighth Eothinon, Tone 2

Resurrectional Theotokion of the Exaposteilarion for the Eighth Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Theotokion for the Eleventh Eothinon, Tone 2

Resurrectional Theotokion of the Exaposteilarion for the Eleventh Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Theotokion for the Fifth Eothinon, Tone 2

Resurrectional Theotokion of the Exaposteilarion for the Fifth Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Theotokion for the First Eothinon, Tone 2

Resurrectional Theotokion of the Exaposteilarion for the First Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Theotokion for the Fourth Eothinon, Tone 2

Resurrectional Theotokion of the Exaposteilarion for the Fourth Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Theotokion for the Ninth Eothinon, Tone 2

Resurrectional Theotokion of the Exaposteilarion for the Ninth Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Theotokion for the Second Eothinon, Tone 2

Resurrectional Theotokion of the Exaposteilarion for the Second Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Theotokion for the Seventh Eothinon, Tone 2

Resurrectional Theotokion of the Exaposteilarion for the Seventh Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Theotokion for the Sixth Eothinon, Tone 2

Resurrectional Theotokion of the Exaposteilarion for the Sixth Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Theotokion for the Tenth Eothinon, Tone 2

Resurrectional Theotokion of the Exaposteilarion for the Tenth Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Theotokion for the Third Eothinon, Tone 2

Resurrectional Theotokion of the Exaposteilarion for the Third Eothinon, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Troparia after Psalm 50, Tone 2

Troparia after Psalm 50, Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Troparion of the Resurrection after the Great Doxology, Tone 1

Troparion of the Resurrection after the Great Doxology, "Today is salvation", Tone 1/First Mode, from the Kazan Matins book.

Matins, Kazan - Troparion of the Resurrection after the Great Doxology, Tone 2

Troparion of the Resurrection after the Great Doxology, "Today is salvation", Tone 2/Second Mode, from the Kazan Matins book.

Matins, Kazan - Troparion of the Resurrection after the Great Doxology, Tone 3

Troparion of the Resurrection after the Great Doxology, "Today is salvation", Tone 3/Third Mode, from the Kazan Matins book.

Matins, Kazan - Troparion of the Resurrection after the Great Doxology, Tone 4

Troparion of the Resurrection after the Great Doxology, "Today is salvation", Tone 4/Fourth Mode, from the Kazan Matins book.

Matins, Kazan - Troparion of the Resurrection after the Great Doxology, Tone 5

Troparion of the Resurrection after the Great Doxology, "Having risen from the tomb", Tone 5/Plagal First Mode, from the Kazan Matins book.

Matins, Kazan - Troparion of the Resurrection after the Great Doxology, Tone 6

Troparion of the Resurrection after the Great Doxology, "Having risen from the tomb", Tone 6/Plagal Second Mode, from the Kazan Matins book.

Matins, Kazan - Troparion of the Resurrection after the Great Doxology, Tone 7

Troparion of the Resurrection after the Great Doxology, "Having risen from the tomb", Tone 7/Grave Mode, from the Kazan Matins book.

Matins, Kazan - Troparion of the Resurrection after the Great Doxology, Tone 8

Troparion of the Resurrection after the Great Doxology, "Having risen from the tomb", Tone 8/Plagal Fourth Mode, from the Kazan Matins book.

Menaion - 01 January

This music is from the Byzantine Menaion Project by Basil Kazan for the saints and feasts of this month. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted. Updated 1/16/16.

Menaion - 02 February

This music is from the Byzantine Menaion Project by Basil Kazan for the saints and feasts of this month. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted.

Menaion - 03 March

This music is from the Byzantine Menaion Project by Basil Kazan for the saints and feasts of this month. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted.

Menaion - 04 April

This music is from the Byzantine Menaion Project by Basil Kazan for the saints and feasts of this month. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted.

Menaion - 05 May

This music is from the Byzantine Menaion Project by Basil Kazan for the saints and feasts of this month. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted.

Menaion - 06 June

This music is from the Byzantine Menaion Project by Basil Kazan for the saints and feasts of this month. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted.

Menaion - 07 July

Festal hymnody for offices and Divine Liturgy for the month of July. This music is from the Byzantine Menaion Project by Basil Kazan. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted.

Menaion - 08 August

Festal hymnody from the Menaion for August. This music is from the Byzantine Menaion Project by Basil Kazan. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted.

Menaion - 09 September

Festal hymnody from the Menaion for September. This music is from the Byzantine Menaion Project by Basil Kazan. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted.

Menaion - 10 October

Festal hymnody from the Menaion for October. This music is from the Byzantine Menaion Project by Basil Kazan. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted.

Menaion - 11 November

Festal hymnody from the Menaion for November. This music is from the Byzantine Menaion Project by Basil Kazan. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted. Updated 11/21/16.

Menaion - 12 December

Festal hymnody from the Menaion for December. This music is from the Byzantine Menaion Project by Basil Kazan. The music is type-set, properly accented and barred, with ison, and rubrics and instructions added in, along with special melodies noted. Update 11/21/16

P
Prokeimenon, Great - Second of Lent

Thou hast given an inheritance

R
Reception of a Bishop

This is the Heirmos of the 9th Ode of Palm Sunday, and is to be sung as the bishop is entering into the church, after the litany is done in the back of the church.  Rubrics are listed.

Resurrectional Apolytikion, Tone 1 (Kazan)

Resurrectional Apolytikion from the Kazan Byzantine Project, Tone 1/First Mode.

Resurrectional Apolytikion, Tone 2 (Kazan)

Resurrectional Apolytikion from the Kazan Byzantine Project, Tone 2/Second Mode.

Resurrectional Apolytikion, Tone 3 (Kazan)

Resurrectional Apolytikion from the Kazan Byzantine Project, Tone 3/Third Mode.

Resurrectional Apolytikion, Tone 4 (Kazan)

Resurrectional Apolytikion from the Kazan Byzantine Project, Tone 4/Fourth Mode.

Resurrectional Apolytikion, Tone 5 (Kazan)

Resurrectional Apolytikion from the Kazan Byzantine Project, Tone 5/Plagal First Mode.

Resurrectional Apolytikion, Tone 6 (Kazan)

Resurrectional Apolytikion from the Kazan Byzantine Project, Tone 6/Plagal Second Mode.

Resurrectional Apolytikion, Tone 7 (Kazan)

Resurrectional Apolytikion from the Kazan Byzantine Project, Tone 7/Grave Mode.

Resurrectional Apolytikion, Tone 8 (Kazan)

Resurrectional Apolytikion from the Kazan Byzantine Project, Tone 8/Plagal Fourth Mode.

Resurrectional Theotokion at the Apolytikia, Tone 1 (Kazan)

Resurrectional Theotokion at the Apolytikia from the Kazan Byzantine Project, Tone 1/First Mode.

Resurrectional Theotokion at the Apolytikia, Tone 2 (Kazan)

Resurrectional Theotokion at the Apolytikia from the Kazan Byzantine Project, Tone 2/Second Mode.

Resurrectional Theotokion at the Apolytikia, Tone 3 (Kazan)

Resurrectional Theotokion at the Apolytikia from the Kazan Byzantine Project, Tone 4/Fourth Mode.

Resurrectional Theotokion at the Apolytikia, Tone 4 (Kazan)

Resurrectional Theotokion at the Apolytikia from the Kazan Byzantine Project, Tone 4/Fourth Mode.

Resurrectional Theotokion at the Apolytikia, Tone 5 (Kazan)

Resurrectional Theotokion at the Apolytikia from the Kazan Byzantine Project, Tone 5/Plagal First Mode.

Resurrectional Theotokion at the Apolytikia, Tone 6 (Kazan)

Resurrectional Theotokion at the Apolytikia from the Kazan Byzantine Project, Tone 6/Plagal Second Mode.

Resurrectional Theotokion at the Apolytikia, Tone 7 (Kazan)

Resurrectional Theotokion at the Apolytikia from the Kazan Byzantine Project, Tone 7/Grave Mode.

Resurrectional Theotokion at the Apolytikia, Tone 8 (Kazan)

Resurrectional Theotokion at the Apolytikia from the Kazan Byzantine Project, Tone 8/Plagal Fourth Mode.

S
Ss. Peter & Paul-Akathist

Akathist service sung on June 29th, by Basil Kazan, taken from the text of the Menaion from St. John of Kronstadt Monastery.

Ss. Peter & Paul-Orthros

ORTHROS (Matins) music for the Feast, sung on the day of June 29th. Updated 6/29/2014

Ss. Peter & Paul-Vespers

VESPERS music for the Feast, sung on the evening of June 28th.

St. Simeon's Prayer

Common Byzantine version in Tone 6.

Sunday before Nativity of Christ-Orthros (Matins)

This is the Orthros (Matins) service for the Sunday before the Nativity of Christ, December 18-24, the Sunday of the Genealogy

Sunday before Nativity of Christ-Vespers

This is the Vesper service for the Sunday before the Nativity of Christ, December 18-24, the Sunday of the Genealogy. (Updated 12/13/12 with proper Special melody label, not music.)

Sunday of the Forefathers-before Nativity of Christ-Orthros (Matins)

This is the Orthros (Matins) service for the 2nd Sunday before Christmas, December 11-17, the Sunday of the Forefathers

Sunday of the Forefathers-before Nativity of Christ-Vespers

This is the Vesper service for the 2nd Sunday before Christmas, December 11-17, the Sunday of the Forefathers. (Updated 12/13/12 with proper Special melody label, not music.)

T
Troparion of the Resurrection - Tone 1

Convention music-6.1

Troparion of the Resurrection - Tone 2

Convention music-6.2

Troparion of the Resurrection - Tone 3

Convention music-6.3

Troparion of the Resurrection - Tone 4

Convention music-6.4

Troparion of the Resurrection - Tone 5

Convention music-6.5

Troparion of the Resurrection - Tone 6

Convention music-6.6

Troparion of the Resurrection - Tone 7

Convention music-6.7

Troparion of the Resurrection - Tone 8

Convention music-6.8

Beheading of St. John the Baptist, Troparion of the

Feast Day is August 29th.  Updated 5/9/14.

Constantine & Helen, Troparion of

Feast day is May 21st

Troparion of the Icon Not Made By Hands (Holy Napkin)

Sung on the First Sunday of Lent, and on August 16

Troparion of the Icon Not Made By Hands (Holy Napkin)

This Troparion is sung on the First Sunday of Lent, as well as on August 16

V
Vesperal Divine Liturgy of Holy Saturday

Complete service book for Holy Saturday from Kazan Byzantine Project

Vespers, Kazan - Come Let Us Worship

Invitatory from the Kazan Vespers book.

Vespers, Kazan - Great Litany

Great Litany #1 and #2 from the Kazan Vespers book.

Vespers, Kazan - Litany of Fervent Supplication #1

Litany of Fervent Supplication, first version from the Kazan Vespers book.  Updated 11/22/16.

Vespers, Kazan - Litany of Fervent Supplication #2

Litany of Fervent Supplication, second version from the Kazan Vespers book.  Updated 11/22/16.

Vespers, Kazan - O Lord I have cried with verses and Resurrectional stichera, Tone 1

"O Lord I have cried" (Kekragaria) with verses (stichologia) and Resurrectional stichera, Tone 1/First Mode.

Vespers, Kazan - O Lord I have cried with verses and Resurrectional stichera, Tone 2

"O Lord I have cried" (kekragaria), verses (stichologia), and Resurrectional stichera, Tone 2/Second Mode.

Vespers, Kazan - O Lord I have cried with verses and Resurrectional stichera, Tone 3

"O Lord I have cried" (kekragaria) with verses (stichologia) and Resurrectional stichera, Tone 3/Third Mode.

Vespers, Kazan - O Lord I have cried with verses and Resurrectional stichera, Tone 4

"O Lord I have cried" (kekragaria) with verses (stichologia) and Resurrectional stichera, Tone 4/Fourth Mode.

Vespers, Kazan - O Lord I have cried with verses and Resurrectional stichera, Tone 5

"O Lord I have cried" (kekragaria) with verses (stichologia) and Resurrectional stichera, Tone 5/Plagal First Mode.

Vespers, Kazan - O Lord I have cried with verses and Resurrectional stichera, Tone 6

"O Lord I have cried" (kekragaria) with verses (stichologia) and Resurrectional stichera, Tone 6/Plagal Second Mode.

Vespers, Kazan - O Lord I have cried with verses and Resurrectional stichera, Tone 7

"O Lord I have cried" (kekragaria) with verses (stichologia) and Resurrectional stichera, Tone 7/Grave Mode.

Vespers, Kazan - O Lord I have cried with verses and Resurrectional stichera, Tone 8

"O Lord I have cried" (kekragaria) with verses (stichologia) and Resurrectional stichera, Tone 8/Plagal Fourth Mode.

Vespers, Kazan - Resurrectional Aposticha and Theotokion, Tone 1

Resurrectional Aposticha and Theotokion from the Kazan Vespers book, Tone 1/First Mode.

Vespers, Kazan - Resurrectional Aposticha and Theotokion, Tone 2

Resurrectional Aposticha and Theotokion from the Kazan Vespers book, Tone 2/Second Mode.

Vespers, Kazan - Resurrectional Aposticha and Theotokion, Tone 3

Resurrectional Aposticha and Theotokion from the Kazan Vespers book, Tone 3/Third Mode.

Vespers, Kazan - Resurrectional Aposticha and Theotokion, Tone 4

Resurrectional Aposticha and Theotokion from the Kazan Vespers book, Tone 4/Fourth Mode.

Vespers, Kazan - Resurrectional Aposticha and Theotokion, Tone 5

Resurrectional Aposticha and Theotokion from the Kazan Vespers book, Tone 5/Plagal First Mode.

Vespers, Kazan - Resurrectional Aposticha and Theotokion, Tone 6

Resurrectional Aposticha and Theotokion from the Kazan Vespers book, Tone 6/Plagal Second Mode.

Vespers, Kazan - Resurrectional Aposticha and Theotokion, Tone 7

Resurrectional Aposticha and Theotokion from the Kazan Vespers book, Tone 7/Grave Mode.

Vespers, Kazan - Resurrectional Aposticha and Theotokion, Tone 8

Resurrectional Aposticha and Theotokion from the Kazan Vespers book, Tone 8/Plagal Fourth Mode.

Vespers, Kazan - Resurrectional Aposticha, Tone 1

Aposticha for the Resurrection, Tone 1/First Mode.

Vespers, Kazan - Resurrectional Aposticha, Tone 2

Aposticha for the Resurrection, Tone 2/Second Mode.

Vespers, Kazan - Resurrectional Aposticha, Tone 3

Aposticha for the Resurrection, Tone 3/Third Mode.

Vespers, Kazan - Resurrectional Aposticha, Tone 4

Aposticha for the Resurrection, Tone 4/Fourth Mode.

Vespers, Kazan - Resurrectional Aposticha, Tone 5

Aposticha for the Resurrection, Tone 5/Mode Plagal I.

Vespers, Kazan - Resurrectional Aposticha, Tone 6

Resurrectional Aposticha, Tone 6/Plagal Second Mode.

Vespers, Kazan - Resurrectional Aposticha, Tone 7

Resurrectional Aposticha, Tone 7/Grave Mode.

Vespers, Kazan - Resurrectional Aposticha, Tone 8

Resurrectional Aposticha, Tone 8/Plagal Fourth Mode.

Vespers, Kazan - Resurrectional Theotokion at O Lord I have cried, Tone 1

Theotokion for the Resurrection at "O Lord I have cried", Tone 1/First Mode.

Vespers, Kazan - Resurrectional Theotokion at O Lord I have cried, Tone 2

Theotokion of the Resurrection at "O Lord I have cried", Tone 2/Second Mode.

Vespers, Kazan - Resurrectional Theotokion at O Lord I have cried, Tone 3

Theotokion of the Resurrection at "O Lord I have cried", Tone 3/Third Mode.

Vespers, Kazan - Resurrectional Theotokion at O Lord I have cried, Tone 4

Theotokion for the Resurrection at "O Lord I have cried", Tone 4/Fourth Mode.

Vespers, Kazan - Resurrectional Theotokion at O Lord I have cried, Tone 5

Theotokion for the Resurrection at "O Lord I have cried", Tone 5/Plagal First Mode.

Vespers, Kazan - Resurrectional Theotokion at O Lord I have cried, Tone 6

Theotokion for the Resurrection at "O Lord I have cried", Tone 6/Plagal Second Mode.

Vespers, Kazan - Resurrectional Theotokion at O Lord I have cried, Tone 7

Theotokion for the Resurrection at "O Lord I have cried", Tone 7/Grave Mode.

Vespers, Kazan - Resurrectional Theotokion at O Lord I have cried, Tone 8

Theotokion for the Resurrection at "O Lord I have cried", Tone 8/Plagal Fourth Mode.

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 1

Theotokion for the Resurrection at the Aposticha, Tone 1/First Mode.

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 2

Theotokion for the Resurrection at the Aposticha, Tone 2/Second Mode.

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 3

Theotokion for the Resurrection at the Aposticha, Tone 3/Third Mode.

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 4

Theotokion for the Resurrection at the Aposticha, Tone 4/Fourth Mode.

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 5

Theotokion for the Resurrection at the Aposticha, Tone 5/Mode Plagal I.

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 6

Theotokion for the Resurrection at the Aposticha, Tone 6/Plagal Second Mode.

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 7

Theotokion for the Resurrection at the Aposticha, Tone 7/Grave Mode.

Vespers, Kazan - Resurrectional Theotokion at the Aposticha, Tone 8

Theotokion for the Resurrection at the Aposticha, Tone 8/Plagal Fourth Mode.

Vespers, Kazan - Saturday Prokeimenon

Vesperal prokeimenon for Saturday evening.

Vespers, Kazan - St. Simeon's Prayer (Chant)

St. Simeon's Prayer; chant setting by Kazan in Tone 6/Plagal Second Mode.

Vespers, Kazan - Weekday Prokeimena

Prokeimena for weekday Vespers.